SovereignNative
Camas Logue

www.camaslogue.com

V4V Artisan npub15rnn220qfdyhpgv9apjt38nadc0dzj8a7zpcrd2q4spq5apvvt2suswnaw
Native Carver / Painting / Digital Illustration Klamath Tribal Member
Drums for: npub1wkq0c7cazpdftnv9fjchy4k7vxnrj09u6qpf7tfkejqdfuuqcx2q8vx4xg

Public Key

npub1kuqcfjtt6jeghafuaerrmsp2923hn0cqkphlqa5whwjy87gw8zrs4ry54n

NIP-05 Address

[email protected]

Profile Code

nprofile1qqstwqvye94afv5t757wu33acq4z4gmehuqtqmlsw68thfzrly8r3pcpz9mhxw309ahrx7rz9e5k7w3hxqcrqqfpwaehxw309anx2etywvhxummnw3ezucnpdejz7arewpjhxcmjd9c8gqghwaehxw309ahx7um5wghxsatzd4skketj9e5k7qgjwaehxw309ac82unsd3jhqct89ejhxqgewaehxw309aex2mrp0yhxxun9v3jkuum09e3kzen9qyt8wumn8ghj7un9d3shjtnwdaehgu3wvfskueqeafdj4

Publishing to

n3xb.io:7000

feeds.nostr.band/typescript

Author Public Key

npub1kuqcfjtt6jeghafuaerrmsp2923hn0cqkphlqa5whwjy87gw8zrs4ry54n

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Last Notes

2026-02-10 21:46:58 UTC

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What's you favorite freedom tech besides BTC? What is your favorite Linux distro?
Thoughts on best AI Models and privacy (self hosting)

2025-12-11 12:23:52 UTC

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Hot rocks not electric heat 100%

2025-12-11 12:19:48 UTC

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How do we get people to migrate from other messengers like Signal? Also can you make calls, or can you call or message a non White Noise user (making it unencrypted on one end)

2025-11-05 01:40:49 UTC

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🤚

2025-10-28 22:20:10 UTC

q?is -Snake-
Drypoint, Black Ink on Hahnemuhle Copperplate warm white paper. Only eight artist proofs still available.
800,000 Sats
Image size: 21 7/8”x15 7/8” (HxW)
Paper size: 27 3/4”x20 1/4” (H/W)
https://blossom.primal.net/00140ea995c8ebba43fda2ad14480ba449f29eeb4075fdd4524b4abbd6d484c1.webp

2025-10-28 22:04:37 UTC

Orca Carving-Western Red Cedarhttps://blossom.primal.net/3e836efbb43a2f7f76441cad9b427c1ea3696dae9fdcf8361e24769ef451c3ba.webp

2025-10-20 21:46:49 UTC

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all good man! I love it, can't wait to read it to my kids.

2025-10-20 19:25:13 UTC

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Its the only way I communicate now on my phone! I was like well if you are my friend/family and you want to reach me this is the only way to do it :)

2025-10-20 19:21:17 UTC

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arrived! thank you

2025-10-14 01:48:28 UTC

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Just checking in on my order, never got any shipping info sent to me

2025-10-09 04:28:45 UTC

One of my paintings made it into National Geographic along with an article about the undamming of the Klamath River
ni goge domnat (I can hear the river), Klamath Land Pigments on wood panel (2022)
Using pigments created from materials found on my traditional homelands. I made this painting in 2022 as part of my Klamath Land Pigment Project. A part of a series of paintings working with natural pigments to create paintings that interpret the patterns and stories held within the landscape of Klamath Tribal territory. #nationalgeographic
https://blossom.primal.net/0a334c1802d8bdb1a43f3e68125dd3ef42fe68ebc01962bbe8c08c75a14f0a0d.jpg
https://blossom.primal.net/db709a34bf68538554429869b2c4bc7229ec9052ccc2f1788e746b83bdff776d.jpg

2025-10-05 00:36:21 UTC

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How do I stream onto nostr tv? I got it set up and want to share some of my bands music videos

2025-10-04 16:40:42 UTC

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Bought a copy of the hardcover ⚡💪🌞 this will be a good one to read to the kids. Thanks!

2025-10-04 02:15:20 UTC

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Do I need an iPhone to do this or is there a way to do it just over apple tv

2025-10-03 01:27:14 UTC

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Got any invite codes to share?

2025-10-02 20:43:45 UTC

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I don't have a way to download the beta link as far as I know. I don't have an iPhone

2025-10-02 19:59:45 UTC

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I downloaded TestFlight on my apple tv but I need a redemption code to access nostrTV could someone send me one? Or I'm i doing something wrong

2025-10-02 18:46:40 UTC

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https://blossom.primal.net/a235f60aa9591a16d6a48af10b13c7763e253b16e13eb0d20273d8308d9d4fe6.jpg

2025-10-02 04:37:48 UTC

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Me!

2025-10-02 04:26:24 UTC

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Thank you! Let me know next time you come through. Love meeting fellow bitcoiners. Also your book looks rad, might need to get a copy or two for my kids

2025-10-02 03:19:01 UTC

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Ah cool, feel free to hit me up. I do have my studio in the area and I currently have a show up at the MoNA

2025-10-02 03:04:08 UTC

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So cool! This place is just down the road from where I live. I have been wanting to go there to check them out because I have been buying the raw goat milk from there for 5 years. Now I really have to go visit the farm. Are you guys still in the area? Would love to say hi if so ✌🏋 🐐🍼

2025-10-02 00:38:57 UTC

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Amazing Idea I would love to be able to share this with my kids.

2025-10-01 21:14:10 UTC

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That would be amazing but also stoked to see what you guys are creating w your OS.

2025-10-01 21:09:21 UTC

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I was one of the ones who called you guys out on the policy and I really appreciated the prompt response and your commitment to creating tech that reflects that value of individual sovereignty and freedom. Now I just need you guys to make a custom case😜✌🏋

2025-10-01 20:57:58 UTC

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Thank you, I have a studio but not sure if it's local to where you are though?

2025-09-26 00:15:08 UTC

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Hi, I sent ya a DM. Just reaching out on this note to see that you got it

2025-09-24 23:55:19 UTC

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Just ordered some new ones! BTC is up and working

2025-09-20 21:42:54 UTC

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He is a badass for sure! He is on Nostr also but isn't that active here (yet!) npub1xr7t5h0l25ej73pm04zgz9afeexyzsjx67s5v0xxf2sshjn4sx6sep2gqh

2025-09-20 19:03:22 UTC

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It worked! Send ya a zap ⚡✌

2025-09-18 05:19:25 UTC

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Any good way to make calls without a sim ? I use mysudo but I can't receive calls on graphine os

2025-09-17 04:14:18 UTC

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Also keep trying to zap your note and it won't let me for some reason

2025-09-17 04:09:25 UTC

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This was awesome! Thank you for sharing

2025-09-14 21:38:35 UTC

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Heck ya🏋❤

2025-09-14 21:35:39 UTC

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When can I pay you in BTC :)

2025-09-10 00:36:56 UTC

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Not sure where to start I guess finding a vending machine! I live in such a small town it might be a funny place to do it but also there are lots of tourists here so maybe its a great place. Sent you a DM

2025-09-10 00:31:16 UTC

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I want to do this with an art vending machine!

2025-09-10 00:30:05 UTC

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Right on this is so cool

2025-09-10 00:28:36 UTC

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This is awesome

2025-09-07 20:18:40 UTC

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Congratulations @nprofile…vqfq that's amazing! I look every day with a little hope and a dream. I got the same set up :)

2025-09-06 17:49:58 UTC

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Right on that's great to here. When will the new OS be ready?

2025-09-04 03:25:18 UTC

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Wow I had no idea! I love the screen but come on @nprofile…r69k I do not consent to you collecting any of my data ever. Time for a Linux OS to replace this

2025-09-02 02:11:58 UTC

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Can't wait for mine to arrive!

2025-09-02 02:11:01 UTC

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Same

2025-09-02 00:31:47 UTC

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I'm only on Nostr and don't talk about Twitter if that's any reacherence :)

2025-08-31 05:08:15 UTC

https://blossom.primal.net/66a14ec03220b3ac1e181f6d1b1c83ba68a60d7689a485c38f0976040a9aa910.mp4
Celadonite and Vivianite: Blue and Green on the NW Coast
Two mysteries persisted for many years in the field of NW Coast Native art regarding the pigments on NW Coast Native objects: what was used to make green and blue paint? The common consensus has been both green and blue pigments were copper carbonates. However, a study done by the Canadian Conservation Institute in 1990 determined celadonite is the green mineral pigment most commonly found on northern NW Coast Native artifacts but there was no analysis of blue pigments by the CCI. In 2010 I identified a sample of the blue pigment through SEM/EDX in 2010 as an iron phosphate called vivianite.
There is no question the northern tribes (Haida, Tlingit, etc.) have long used a green pigment, but the use of it by Coast Salish peoples is almost entirely unknown. In 1984 Dr. Roy Carlson, Professor Emeritus of archeology from Simon Fraser University, removed a pigment grinding stone (Fig 1) from the 3500-4000 year level of a Straits Salish midden on Pender Island, located in the Gulf of Georgia, British Columbia. One surface of this stone is partially covered in green pigment which I have identified through SEM/EDX and XRF as celadonite, more commonly known as green earth, or terra verte. This grinding stone establishes a tentative timeline for and confirms the use of this pigment by the Coast Salish.
In queries to a wide variety of people who include Coast Salish elders and artists, scholars, anthropologists, archeologists and people who have worked with Coast Salish art in different capacities, it was so rare as to be nonexistent to find someone who could remember seeing celadonite on Coast Salish pieces; I did not accept this as the final answer, however. I already knew the Burke Museum holds two Coast Salish spindle whorls with celadonite paint on them and this prompted me to begin an exhaustive search through numerous museum collections and the literature until I found more pieces.
This spindle whorl (Fig 2) is an excellent example of how pigments behave when mixed with animal fats. Originally the surface was painted with celadonite and red ochre with a water medium. The surface has been saturated with lanolin from spinning wool, which has caused the colors to darken and take on a satin finish but small areas of the original pale green color and matte finish can be seen inside some of the spokes where the lanolin was not able to reach.
The Blue Pigment
While my questions about the green pigment were answered by the CCI’s report, I was not as fortunate with blue pigment. And if I thought the green pigment was overlooked, the blue was almost completely invisible to the point I was told by far too many people, “What blue?” and “Blue was not used until after contact.” This statement belied the fact I had examined a Tlingit shaman’s apron estimated at 400 years old as well as innumerable masks, rattles, etc., all of which were certainly pre-contact, which bore blue pigment. The book, “North American Indian Art”, by Paul Hamlyn has photographs of the earliest collection of Tlingit artifacts in the world held by the Kunstkamera (formerly Peter the Great Museum of Anthropology and Ethnography), Leningrad, Russia. The majority of the collection pictured in this book is pre-1860’s and all of it is pre-1880’s and a significant number of pieces bear blue paint clearly demonstrating blue paint was not a post-contact phenomena. What had begun as a simple curiosity and desire to use traditional materials was whetted by these artifacts, and I began researching the blue pigment in earnest.
In 2010 I obtained a small amount of blue pigment which I analyzed using scanning electron microscopy. It was vivianite, an iron phosphate mineral (Fe2+Fe2+2(PO4)2·8H2O), commonly found anywhere iron is present along with decomposing organic matter and an anaerobic environment: basically the bottom of every body of water, bog and swamp. It is a forming mineral, meaning it is constantly in the process of forming from basic elements into an earthy, clay, stone or crystalline form. Because vivianite is a forming mineral, some deposits of are millions of years old while others are just now forming, along with everything in between.
Vivianite is a simple mineral compound that displays complex behaviors with light and oxidation both playing critical roles in color changes. Upon presentation it appears as a white clay but rapidly undergoes a photochemical process from being exposed to light which causes it to change color to blue. Experiments I have conducted show that this color change can occur in less than an 15 minutes in bright sunlight, more slowly with less light. It also begins an oxidation process similar to that which occurs with other mineral oxides which affects the color. When seen on NW Coast artifacts these color changes are quite evident (Fig 3) but all the factors for color change are not yet known. In my own experiments specific types of binders cause deepening of chromas and color changes. In Europe where vivianite has only recently been found on pieces dating as far back as the 11th century, they are ardently seeking explanations for color changes on artworks by Rembrandt, Vermeer, Du Cuyp and others. The areas painted with vivianite have partially changed from blue to an olive green, brown, gray and black. There is speculation this may be due to exposure to toxic elements such as mercury and arsenic and/or to preservation and conservation treatments formerly practiced by museums and collectors.
Matters are made more complicated by vivianite ranging from pale, almost sky blue (Fig 4) to deeply saturated dark blue (Fig 5), greenish blue and gray blue. It is well documented by mineralogists that vivianite crystals change color, and common knowledge about vivianite clay is replete with anecdotes about how it can present as gray or white only to change color with exposure to sunlight.
The composition of NW Coast designs and the strict rules pertaining to color use insure color changes of vivianite are immediately apparent: any area which would normally be left unpainted or would have been painted blue, which is now darkened to black, as in figure 3, is a red flag. Whether the color change is a result of something the original artist did, or whether it is a result of storage conditions, treatments or factors we have not yet determined, to be able to properly store and conserve these objects requires our identification of vivianite on artifacts and understanding the behaviors and characteristics of this mineral pigment.
Establishing the use of both celadonite and vivianite by NW Coast Native artists using the technology available for analysis and for mapping deposits has opened the doors to determining more closely where particular artifacts originated, matching sibling pieces or objects from the same area, and in some cases the potential for dating pieces more closely is possible. The research into vivianite using microscopy technologies has added a new level of scholarship to the field of NW Coast Native art which is lending validity to the entire field of NW Coast Native art and culture that has been slow in coming.
The study of pigments and paint technology can help inform us of the complex conceptual ability of a people to utilize their environment and resources beyond sustenance to enhance both their sacred and profane lives. It gives us insights into the material cultures of the NW Coast and the technological and behavioral evolution and practices including a basic knowledge of chemistry and mineralogy. In a far more encompassing aspect this study helps us see an overarching manifestation of dedication to the creative and spiritual complexities of their cosmos.

2025-08-31 05:01:39 UTC

https://blossom.primal.net/5ceef39add9aed2027efdff2e762edac3d7705c0de29d440ad2182aedf27c493.jpg
In addition to my carving I am also a painter. This is from a series of paintings made with wild harvested pigments from my tribal homelands. you can see more about the process as well as my other work on my website www.camaslogue.com
KLAMATH LAND PIGMENTS
My tribe has lived in the Klamath basin where we have a long history of working with plant pigments and colors in our art and cultural practices. You can see accents in our baskets dyed with the dark muds from the marshlands. The bright yellows of wolf moss dyed porcupine quills in our basketry and regalia. The high desert waters contain clay and stone that carry various colors of pigment, and the eroded hillsides contain layers of color inside them. The Klamath Land Pigment Project is an ongoing creative exploration of my ancestral homelands working with natural pigments to create paintings that interpret the patterns and stories held within the landscape.
I begin by documenting and collecting pigments and plant dyes. I use these materials to make the paints and inks. On wood panels I layer the oils, inks, and watercolor, binding them together with varnish. Then I use scrapers and washes to erode and dissolve the top layers, allowing what is below to show through. The process is both planned and experimental, intuitive, and revelatory. In the end, these paintings are abstract interpretations of the places where I find spiritual and cultural significance.
I have found that working with earth pigments and plant dyes affords me a closer relationship with my painting and allows me to interpret the landscape in new ways. When something is created with materials from a particular place, that creation reflects the place those materials come from. I believe this to be even more so when that creation is also a visual representation of the place where the material came.
I believe that my work is creating new patterns, both in my life and in the larger universe. My work brings me closer to the land and gives me opportunities to spend time observing and learning from it.

2025-08-31 04:50:49 UTC

https://blossom.primal.net/2ed1139607fc89a5fc420841d461c2e52744a609485105eaca867217db3e8e17.mov
My carving -Raven Steals the Sun- 35.5" x 15" x2" on yellow cedar (AVALIBLE WITH COPPER BTC IN THE MIDDLE) $10K In BTC only + shipping.
#nativecarving #carver #raven #sun #buyartwithBTC

2025-08-31 02:05:09 UTC

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That's great! Thanks for the feedback and love what you are doing

2025-08-30 03:37:32 UTC

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Hi would love to try the Satlantis app but there is no log in with Amber option. Is that going to be available at some point? Also any one have any experience running the app using Graphine OS? I am able to download it from Auroura store but haven't logged in yet because of not being able to use Amber

2025-08-28 02:54:08 UTC

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Might be interesting to look into. Not saying its true, just asking questions :)

2025-08-28 02:52:10 UTC

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You ever here the theory that flat earth was psy-op created by Michael Aquino in the 80's? Aquino was an American political scientist, military officer and Satanist. He was the founder and high priest of the Temple of Set.

2025-08-24 05:02:42 UTC

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You know when is Graphine OS going to be available for the new Pixel 10?

2025-08-20 23:03:39 UTC

If you are in thr Portland area come to the show, buy a poster! Funds are going to be taken in BTC or Fiat and will be converted to BTC for aid to Palestinian families. I am still looking for a good recommendation of organizations in Palestine to send funds. If anyone on here is in contact with @nprofile…n50k or any other reputable human who I can talk to that would be a great help. Thank you!
https://blossom.primal.net/efc9f1fbee4af7290f06082e7e43f67fe0a9707d13400e8ed0655234386b2f2e.jpg

2025-08-16 23:22:57 UTC

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Same! ⚡🏄🏋

2025-08-10 03:18:47 UTC

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Thank you!

2025-08-08 02:00:42 UTC

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I loved that book, can't wait for the full trilogy @nprofile…jttu

2025-08-08 00:29:20 UTC

Intro Post! Hi, I'm Sovereign Native. I'm a Native American Carver, Visual Artist (Painting and Printmaking) and World Touring Musician. I am passionate about Bitcoin, Animal Based/Real Food and Nutrition and Family. I'm a married father of two sons and a full time artist. I live and work in a tribal community in NW Washington State. I just started sharing some of my writing (more soon) on here and on substack. If I take off my tinfoil hat for a while and decide to break my anon profile I'll share my website so you can see more of my work :)
I found Nostr through @nprofile…6mvf
@nprofile…pnes #introductions #nostr
https://blossom.primal.net/5332b2bd6c23bdf718eff26683e2b9ee77cd65769639cd8d4cda8fd4d210e2f5.jpg

2025-07-28 03:50:56 UTC

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I will be writing more on this topic and creating an educational guide to make these resources easily sharable with tribal community/governments. I welcome all feedback and please share.
#naddr1qp…ylqs

2025-07-25 03:24:54 UTC

https://blossom.primal.net/faaf9e38afd1385623bac827a0e98ca86d4e2e9d0198e80c0330604a5f8d51f6.webp
The Well for Culture model for total health optimization

2025-07-24 00:38:44 UTC

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https://blossom.primal.net/8ee82c55d266b5e6b347674879cb44e92415a2f0429936c04989782d646a9448.jpg

2025-07-24 00:33:52 UTC

https://blossom.primal.net/9c439c957e5e2b8b028a341efb1360202ad9eccc01e06e89a23231f40d1cc547.jpg
Panel Carvings I made with my mentor Brian Perry (S’Klallam)

2025-07-24 00:33:09 UTC

https://blossom.primal.net/bcadad91f418d9b7e12379a198909ae43726b2b324b0c80938d0e65fde012646.jpg
Panel Carvings I made with my mentor Brian Perry (S’Klallam)